Spoilers:  None.
Disclaimer:  Everyone mentioned here belongs to Aaron Sorkin and his various corporate bosses.  Even the bosses who were dumb enough to give Dan and Casey a laugh track.
Summary:  Companion piece to Ryo Sen's A Phenomenally Bad Idea.  Donna's take on the events of that story.
Thanks:  To Ryo, of course, without whose wonderful story I would actually be spending my day off cleaning house.  You saved me from a fate worse than death, girlfriend!

Delicate Systems

Jo March
I hate fundraisers.

Terrible things happen at fundraisers.  Terrible things that generally involve women coming on to my boss and pressing their hotel keys into his hand.

To my knowledge, he's never taken any of them up on their offers.  (But why, I've always wondered, did Sarah Weisinger give him that smoking jacket?)  Still, one of these days it's bound to happen.

Some woman will proposition him at a fundraiser just like this one and he'll flirt with her and she won't be sleeping with Al Kiefer.  And the next day he'll be all happy and relaxed, and he'll probably swagger even more than usual.

Not that I am the least bit bothered by the thought of Josh having sex with another woman.  I sincerely could not care.  I am so over my "I think I'm in love with my boss" phase.

Been there.  Done that.  Time to move on.

It's just that I hate the thought of Josh's already massive ego being stroked--

Bad choice of words?

Well, I know what I mean.  Josh on a regular morning is annoying.  Josh the morning after -- impossible.

And some day it will happen.  Probably at a fundraiser.

Because, let's face it, Josh and lasting relationships do not mix.  Okay, Mandy wasn't his fault -- except in a general sort of "what-was-he-thinking" way.  I defy anyone to have a lasting relationship with Mandy Hampton.  But he completely blew the Joey Lucas thing, which had potential.

So what I'm saying is that the man's not a monk.  At some point, he's just going to want to get laid.  Since he sucks at relationships, he'll probably opt for a one-night stand.  Somewhere that isn't Washington, DC, so he won't have to worry about running into her again.  Which makes some woman who comes on to him at a fundraiser the perfect candidate.

I'll probably be at the damn fundraiser when it happens.  I'll probably be right by his side when she comes on to him.

He'll probably expect me to book them a room.

I hate fundraisers.

"Do I really have to be here?" I ask him.

This is a reasonable question.  I mean, is there some briefing memo he expects me to write here?  Is there a point to my presence at this event?

He gives me this absolutely malevolent look.  "Yes."

"Why?"  Again, a reasonable question.  One for which he does not have an answer.  I can tell because he shrugs.  He always shrugs when he doesn't have a convincing answer.  "Because," he says, "we're a team."

We're really not.  Members of a team are equals.  Members of a team get paid comparable amounts of money.  One member of the team does not sleep soundly while the other loses sleep imagining what it would be like to make love to him.

Not that I lose sleep over him.

Not anymore.

"We are not a team, Joshua," I point out.  "In fact, you are my boss and you ordered me to be here!  It's Saturday night, Josh.  Do you know what I could be doing right now?"

"Dating the latest in a series of veritable losers?"

The bastard.

This is why I'm over him.  This is why I'm glad I never told him that I had that whole "I-want-to-sleep-with-Josh" phase.

Then he does that thing I hate.  He calculates just how far he's pushed me and how inconvenienced he'd be if I quit and he goes into his fake apology.  "Donna--"

I don't want to hear the fake apology.  "Forget it, Josh."  I walk past him toward the door.  At least, there will be a bar inside.  At least, I can have a drink.

Lots of drinks.  After all, it's not as though I have -- Is there an echo in here?

This is bizarre.  This is Twilight Zone time.  This is my conversation with Josh being replayed by two other people.

Whose voices I swear I recognize.

Josh comes up behind me, and I tell him to be quiet.

To be quiet so I can listen to Casey and Dan.

My God.

I love this fundraiser! 

***

So it turns out that Dan Rydell and Casey McCall are even wittier in person than they are on TV.  Also better looking.  And, let's face it, they were hunks to begin with.

Dan, especially, is just a sweetie.  Although it was Casey who made the joke about my being the deputy deputy chief of staff.  Well, it was funny when Casey said it.  But I think I'll let CJ have him.  There's two; we can share.

Besides, I am seriously liking Dan.  He can talk.  I like a man who can talk.  Especially a man who can talk about something other than politics.  Dan has a very nice smile, and he seems like a kind-hearted person.  Also modest.  Refreshingly modest.  That's a pleasant change from--

Where is Josh anyway?  Didn't he say something about getting drinks, like, half an hour ago?

Damn.  He's determined to ruin my night, isn't he?  I apologize to Dan and Casey and explain that I need to find my wayward boss and, miracle of miracles, they offer to come with me.  Dan Rydell and Casey McCall, who could be off mingling with anyone at this party, want to follow Donnatella Moss to the bar.

Damn, but my life is good.

Except for the fact that Josh is getting drunk.  Rum and coke -- what is he thinking?  He knows his system cannot tolerate rum and coke.

Why does he do this to himself?  More to the point, why does he do this to me?

Josh is being thoroughly obnoxious, and Dan and Casey are being way too nice.  You just have to adore the fact that they're not letting Josh's hostility get to them.  Very secure in their masculinity, I'm thinking, not to let Josh bully them.

Besides, CJ's here, and I don't think they're really paying attention to Josh at all.

Josh is now on his second rum and coke.  I know what he expects.  He expects me to take care of him.  He expects me to remind him that he shouldn't have another drink.  He expects me to ignore Casey and Dan and keep him sober and amused until he can find some other woman to flirt with.

Well, not tonight, Joshua.  Just get as drunk as you want tonight.

I'm having fun. 

***

Three hours.

Dan Rydell spent three hours talking to me.

Dan Rydell of Sports Night spent three hours talking to Donnatella Moss.

Dan Rydell asked about my life.  He did not pontificate about domestic policy (or even, you know, sports) and expect me to agree.  He wanted to know my opinions.  We discussed art and music and literature and why I'm going to major in history when I go back to college.  I just had a lengthy, stimulating conversation with a man who is not Joshua Lyman.

I am so over Josh.

Who is asleep.  Who slept completely through my having a stimulating conversation with an attractive, intelligent man who is not him.

Oh, well.  Can't have everything.  And, sadly, the party's breaking up.

"Josh?"  He does look kind of cute, with his eyes closed, leaning back in this overstuffed armchair.  He has this deceptively sweet little boy quality to him.  Assuming, of course, that we're describing a little boy who is stinking drunk and prone to belligerent behavior when awake.

And also prone to innuendo.

The bastard.

I'm saying good night to Dan, and it's going well.  I'm thinking there's a possibility of something developing here.  And he hugs me.  Dan Rydell -- this smart, funny, decent, attractive, single man who is not Josh -- hugs me.  I am smiling.  I am enjoying this.  I am completely over Josh.

Who suddenly jumps to his feet, nearly knocking CJ down in the process.  And then, because he is a complete bastard who is intent on ruining my life, Josh moves toward me and says (in a rather loud voice), "Let's go to bed."

Damn this alabaster skin!  I can feel myself blushing.

God only knows what Dan is thinking.

I move as far away from Josh as I can manage.  "Excuse me?" I say in my best "your life will be a living hell for the next week" voice.

"I need to go to bed, Donna."

Yeah, and I need a new job, but it's not going to happen.

I make our excuses to Casey and Dan.  Dan, at least, doesn't seem phased by Josh's little outbursts.  He gives me his card, which he is in no way obligated to do, so I'm thinking there's hope.  CJ grabs Josh's arm and starts to drag him off.  I'm hoping this is good; I'm hoping she'll take care of Josh and I'll have a chance to set up something a little more definite than "call me if you're in DC" with Dan.

And that, of course, is when Joshua drags me off.  It's like we're in some sort of half-assed conga line -- CJ in the lead, dragging Josh, who is holding on to me as though I'm his personal property.

Bastard.

Dan and Casey are out of sight by the time we hit the elevators and I can bring myself to speak to Josh.

"Josh," I tell him, "you are impossible sometimes.  Did you see the handsome, interesting man talking to me?  Did you catch that in your drunken stupor?"

"Yes," he says.  "Don't like them hitting on our women."

Son of a bitch!

CJ and I let go of him simultaneously, and he goes stumbling toward the elevator.  How he manages not to fall I'm sure I don't know.  He goes bobbing along until he somehow manages to prop himself up against a wall and face us.

"What did you say?" CJ demands.  Which is a good thing because I'm too angry to speak.

"Something stupid. I'm drunk."

Oh, like the genius behind the secret plan to fight inflation needs an excuse to say something stupid.

Even though he does have a delicate system.

"I need to go to bed," he says.  He looks miserable.  He is turning green.  Literally.  "Donna," he says in his begging voice, "please."

I hate myself.  I hate myself for being so weak where he's concerned and letting him manipulate me.  I honestly hate myself.

But not as much as I hate him.

"Fine," I tell him, "but we're going to have a talk tomorrow, Joshua.  CJ and I are not 'your women.'"

Well, CJ isn't, anyway.

CJ heads off in the opposite direction, leaving me alone with Josh.  Who I hate.  Who I am completely and totally over.  Who is only my boss and who I will not allow to treat me this way.

"Furthermore," I tell him as we enter the elevator, "I resent your incessant intrusions into my private life.  It's not like this is the first time you've been a schmuck, Josh, but this was a nice guy."  I press the button for our floor.  "He's a sportscaster.  You like him, for the love of God.  Why would you try to sabotage--"

And that is when it happens.  That's when Josh -- who is surprisingly strong for a drunk -- presses me against the side of the elevator and starts kissing me.

It's late, I'm tired and I'm in mid-rant, so it takes a second or two for my brain to process this information.

Josh is kissing me.

It's not bad.

It should be bad.  He's drunk.  How good can he be when he's this drunk?

Amazingly good.

I think I'm moaning.

The man can do astounding things with that tongue.

Plus he's stroking my hair.  He's stroking my hair very gently while his tongue is just sort of teasing -- Oh, God, please let this elevator get stuck between floors!  Please do not let this end.

It wouldn't be bad, getting stuck in here for an hour or two.  It's not like help wouldn't arrive eventually.  After all, these hotel elevators have security cameras and--

Cameras.

Oh, shit.

I stop kissing Josh back.  I stop holding on to Josh for dear life.  I move a respectable distance away.  And I ache -- I honestly ache -- to touch him again.

Josh just stares at me like -- like I have broken his heart.

Which is, of course, ridiculous.

He's so drunk he won't even remember this in the morning.

He's so drunk he won't even remember it was me.

He's a man.  He's drunk.  He wants sex.

This has nothing to do with me.  This has nothing to do with him loving me.

Nothing whatsoever.

The very idea is ridiculous.

And I'm over him anyway. 

***

I am pounding on CJ's door because -- Well, because if I don't have someone to confide in, I will quite possibly explode.

CJ gives me a long, hard look and grins.  "So Dan came back," she says as she lets me in.

Huh?  Dan who?

"What are you talking about?" I ask.

"Girlfriend," CJ says -- and she is clearly too amused -- "have you looked in a mirror lately? Because you have all the signs of a woman who just got what I'm guessing was one hell of a good night kiss."  She pauses, as the other alternative to Dan occurs to her.  It is then that Mount St. Claudia Jean erupts.

Her fury is something to behold.

"I'll kill him," she mutters.  "I will kill Joshua Lyman."

"Can I help?"

"No.  Because after I kill him, I am going to kill you.  I'm going to kill him, and I'm going to kill you.  And then I'm going to call a press conference to explain that I had to kill the deputy chief of staff and his assistant because they were too damn clueless to be allowed to live."

"CJ--"

"Do you have any idea what kind of trouble this could lead to?  Have you ever considered -- Where exactly did he kiss you?"

Well, that's a rather personal question.

"On the mouth," I answer, slightly bewildered.

"God help me, I counted on Donna to be the smart one, and this is the reaction I get," CJ mutters.  "No, you idiot, where were the two of you when this happened?  Were there witnesses?"

"Oh, that.  No witnesses."

"Praise the goddess!"

"We were in the elevator."

"Well, at least--"  CJ pauses, as the same thought I had occurs to her.  "Security cameras."

"Yes, but, you know, those things are notoriously fuzzy and I'm thinking Josh's back would have been to the camera, and even if it wasn't, what are the odds someone would recognize--"

CJ grabs her handbag and starts rummaging through it.  "I know I have some aspirin in here somewhere," she mutters.

"I'm sorry, CJ, but it wasn't my fault," I say.  "Josh started it."

CJ gives me this look that -- Well, I'm pretty frightened by that look.  "Who stopped it and at what point?  Were any items of clothing removed before the stopping?  Were any acts that the Christian right might consider inappropriate between two unmarried adults--"

"CJ!"

Once again, she gives me the look.  I cower.

"No clothing was removed," I say.  "No other acts occurred.  It was a kiss, that's all.  Couldn't have lasted more than six seconds tops."

"You're sure?"

"CJ, I would know if--"  I hate having alabaster skin.  I'm blushing again.  "Besides, he was drunk.  He won't even remember this tomorrow."

The best six seconds of my life, and he won't even remember.

I hate him.

I must look a wreck, because CJ puts her arms around me and gives me a hug.  "Donna," she says with a sigh, "the two of you have to work this out."

"There's nothing to work out," I protest.

"Right.  There's nothing.  This is why he goes ballistic whenever you have a date.  This is why the name Joey Lucas gives you a headache.  Because there is nothing between you."

"There isn't."

"I swear to God, Donna, I don't know which one of you is more clueless.  But my advice is to get this thing out in the open, acknowledge that it absolutely cannot happen, and move on.  As long as the two of you go around pretending you don't care while giving each other those looks--"

"Josh does not give me looks."

"Josh gives you smoldering looks, and it's making the rest of us very nervous.  The two of you need to set down some ground rules and start behaving like professionals."

"I suppose."

"Do I have to list all the reasons you and Josh are a bad idea?"

"I already know them by heart."

"Good.  Recite them to Josh.  In a public place.  Where there will be no kissing."

I nod and start to head back to my room.

"CJ?" I say when I get to the door.

"Yes?"

"He kisses amazingly well.  It was incredible."

CJ groans.  "I swear to God," she mutters.  "I am locking the two of you in separate rooms until after we leave office." 

* * *

Alone in my room, I ponder the nature of my relationship with Josh and reach the following conclusion:

We have a delicate system.

No, really.  Josh and his notorious inability to hold his liquor is the perfect metaphor for our relationship.  We are a delicate system.  Most of the time, the system works just fine.  But add a new element -- Joey Lucas, Dan Rydell, a red dress; little things that would not upset, say, Toby and Ginger -- and it goes to our heads rather quickly.  It upsets the balance; it throws the entire system off kilter.  We lose our equilibrium.  Things get said.  And done.

Josh and Donna are a delicate system, and we need to stay sober.

CJ's right.  I need to explain this to Josh.  I need to explain why we have to stop doing this thing.  We have to stop the looks and the talk about our personal lives.  We have to stop the teasing and the innuendo.

Josh must never, ever drink in my presence again.

He must also stop expecting me to come to things like this where one of us is likely to meet someone else.

He can't expect me to spend weekends and nights in the West Wing just because he wants me there.  No work, no Donna -- That's the new rule.

He can't call me Donnatella anymore.

Except maybe on my birthday and other special occasions.

I am not an unreasonable woman.  I am sure that Josh will have some guidelines he will expect me to follow.  Although I have always been completely professional.  If he has misinterpreted any of my words or actions, it's his own fault.  Still, I am willing to compromise in the interest of maintaining a smooth working relationship.

I will tell him so tomorrow.

And I will stop asking myself this question that has been in the back of my mind since we got out of that elevator:

If this is how he kisses when he's drunk, how incredible would it be to kiss him when he's sober? 

* * *

As much as I value CJ's advice, I believe she is wrong about one thing:  Josh and I should not have this discussion in a public place.  Josh gets hostile.  Josh says things that can be misconstrued when he's hostile.  He says these things in a very loud voice, and that would lead to exactly the sort of situation CJ wants to avoid.  So I will have this conversation with Josh, but I will have this conversation with him in private.

It's much better this way.  CJ would thank me for this if she understood my reasoning.  Not that I would ever tell her.  I'm not that stupid.

I pound on his door as loud as possible at the crack of dawn because he will have a hangover and the noise will cause him great pain and he completely deserves it.

He doesn't answer.

He was pretty drunk.  He was pretty drunk and I left him alone, and now he isn't answering the door.  Several kinds of accidents could have occurred to him when he was alone and that drunk.  I shouldn't have left him alone when he was that drunk.

Thank God I have his room key.

I hear the running water immediately upon entering.  He's not dead; he's just in the shower.

Good.  I can kill him myself when he gets out of the shower.

He's in there taking a shower.  He's in there naked.

I have to sit down.

I am going to use this time while he's naked -- I mean, while he's showering -- to review my main points.  I am going to be professional.

He's naked.  I'm sitting on his bed, and he's naked.

This could easily be misconstrued.  This is why we need to have a talk.  So he knows not to be naked when I'm in the next room.

The bathroom door opens, and Josh steps out.  Wearing a towel.

Just a towel.

Oh.

I feel a need to comment -- in a strictly aesthetic sense -- about the sight of Josh in a towel.  First, there's the fact that he apparently can't even dry himself off correctly because he's all damp and sort of glistening and it's strangely fascinating.  Then there's his chest.  There is nothing like the sight of a man's naked chest to ruin a perfectly good fantasy.  I mean, either in reality they have absolutely no chest hair and look like little boys, which is not appealing, or they have too much chest hair and resemble an ape, which is even less appealing.  There is a medium that is pleasing and yet difficult to find -- just enough chest hair to confirm that he is, indeed, very male.

I have found the perfect medium.

And I can't have him.  Focus, Donna, focus.

"Joshua," I say in my best professional tone, "we are going to have a conversation right now."

He looks at me as though he is going to throw up again.  That, at least, would stop my having these random thoughts about his chest.  And about how that towel doesn't seem to be very firmly in place.

"Right now?" he asks.  Actually, he kind of croaks.

"Yes."  He has a scar from the shooting.  I knew that.  Rationally, I knew that.  I just never really considered it before.  Much.

"This," I tell him, gesturing at the space between us, "is a bad idea."

"You're right," he says.  Much too quickly.  Does he have to agree so quickly? Why does this have to be the one time he doesn't give me an argument?

I wish I could get a good look at his naked back.

He has a hangover.  He should drink something.  I stand up, walk around him very slowly (he has a fabulous back, by the way) and get him a glass of water from the bathroom.

He gulps it down in record time.  I'd go back and get him a second glass, but I think maybe I'll wait.  The towel might start slipping down a little lower.

"You kissed me," I tell him.  Because he's probably forgotten.

"I was drunk."

Bastard.  Bastard.  Bastard.  That's all it was?  He was just drunk?

Bastard.

We argue for awhile; I make some excellent points about his jealousy of Dan and Casey.  He apologizes.  Sort of.  And then I reasonably ask him to explain his motivation for kissing me.

Which is when he decides to get all indignant and put his hands on his hips.  The towel slips down a little lower.

His stomach is excellent.  Nice and flat.

Before I have a chance to fetch that second glass of water, he hitches the towel back up.  "I'm not an actor, Donna.  I'm not going to discuss my motivations for--"

The hell with it.  I have to find out how he kisses when he's relatively sober.

Oh, God.  It's even better.  Who knew?

He wraps his arms around me and pulls me in tighter.  Now he's sort of massaging my back while his tongue is just absolutely dancing around with mine and it's wonderful until I open my eyes and notice that he's starting to smirk.

I will not let him get away with that.  I break off the kissing and put a respectable distance between us.  I do an admirable job of appearing unconcerned, I think.

"Motivations?" I ask.

He doesn't take this well.  He is reduced to calling me names, the most creative of which is "Ms. I Kissed You First."  Idiot.

Damp, glistening, half-naked, sexy idiot.

I eventually get him back to the point.  "Joshua, I'm trying to determine if your actions last night were prompted by, you know, typically masculine feelings of inadequacy when in the presence of such handsome alpha males, or if you actually feel some sort of attraction for me.  Of course, at this point it doesn't matter, since the issue is already, you know, out there.  But I'd like to keep things as clear as possible so that an already terrible situation is not made worse through miscommunication."

I think that's a reasonable position, don't you?

"Terrible?  You think this is a terrible situation?"

No, you half-naked idiot, I don't think being in a room with you and a bed is a terrible situation.  Everyone else we know does, however, so I'm thinking maybe they're on to something I'm missing.  "You're all but naked, Josh," I say, taking a nice, long look at just how close to naked he is.  "In a hotel room with your assistant, whom you hit on last night in an elevator that more than likely is monitored by video.  Can you think of anything that would make this worse?"

'Cause I can.  I can think of something.  I can think of you saying that you don't want to be half-naked in a hotel room with your assistant.  That would be beyond bad, you thinking that.  Please point that out.

"Leo knocking on the door right now," he says.

Wrong answer, idiot boy.

"Leo's in DC."

"CJ knocking--"

Let's not go there.

"Joshua."

"This is bad," he says.  "Not this," he says, indicating the space between us, "but what this would look like to, you know, them."

"Exactly.  So we have to figure out what we're going to do about this."

We're going to be professional and set down rules so that this doesn't happen again.  That's what we're going to do.

That would be easier to do if he'd get dressed.

I don't want him to get dressed.  Unless he lets me watch.

Thank God I didn't say that out loud.

"What the hell are you talking about?" he asks.  Typical.  He always pretends he doesn't know, and he always does.

"You know what I'm talking about."  Okay, now I'm getting angry.

"I don't."

Liar.  I work for a liar.  I am in love with a liar.

A damp, glistening, sexy, half-naked liar.

I have to get out of here.  I need to pack.  I need to take a cold shower, and I need to pack.

"Forget it, Josh," I say and turn to leave.

"Donna, wait."

I'm not going to look at him.  I am not going to look at his damp, glistening, sexy, half-naked self.

"What?" I ask, not looking at him.

"This is a phenomenally bad idea," he says.  I hate him.  Have I mentioned that?

"I know," I answer.

"I'm your boss."

"Yes."

"I'm ten years older than you."

"I'm aware of that."

"Leo would kill us."

"True."

"So would CJ."

Yes, and then she'll hold a press conference.

I turn back around.  The damp, glistening, sexy, half-naked idiot is grinning.

"Probably Toby too," I point out.  We might as well face all the obstacles.  "Maybe Sam."

"No," he says.  It's not a grin; it's not even a smirk.  It's an honest-to-God smile.

With dimples.

I am lost.

"Sam's far too idealistic to grasp the potentialities," he says.

Well, there is that.  "True," I answer.

He walks toward me, as well he should.  I want it on record, after all, that he made the first move.  Anything that happens after this is completely Josh's fault.  Not mine.

"This is a phenomenally bad idea," he says.  God, even his voice is unbearably sexy this morning.

"Yes," I agree.  "So what are we going to do?"

He reaches out and starts playing with my hair, sort of like he did last night.  And look where that got us.

"What do you want to do?" he asks.

Oh, no, you don't, mister.  I'm not admitting it until you do.

"What do you think I want to do?" I ask.

"Probably the same thing I want to do," he says.  Close, Joshua, but no cigar.

"Your logic is astounding," I tell him.

"You're going to pick on me right now?" he asks.  I should note for the record that he's grinning like an idiot.

"What's wrong with now?"

"Not one thing," he says.  And then he kisses me again.  Another one of those amazing kisses where he puts that mouth of his to all sorts of creative uses.  Sort of makes you wonder what he can do with the rest of that body.

There's only one way to find out.

"Joshua," I tell him, "lose the towel."

If we're lucky, CJ will be merciful and agree to lock us in the same room until President Bartlet leaves office.

THE END

02.01.01

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